World Fantasy took place in Calgary's downtown at the Hyatt Regency Oct. 30-Nov. 1. Although the hotel had an exceptional collection of paintings and heavily focused ungulate statuary everywhere, it was still a very expensive hotel. I haven't been in a hotel in the US in the past five years that charged for internet and $1 for local calls. Internet cost $14 a day, an exorbitant fee, and the hotel price was high even at convention rates. We found Calgary pricey for food but cheap for alcohol, if you were buying it in stores but comparably priced to Vancouver in the hotel.
The con hospitality suites were smaller than I have seen at other cons and the air conditioning (hardly needed in Oct. in Calgary) was on high for most of the convention. The dealers room and art show were also small. From one discussion with a Seattle antiquarian dealer, the hoops and paperwork besides shipping costs are prohibitive and discourage international exchanges. The dealers room did have an interesting array of publishers. Some of them were Redjack, Fitzhenry/Red Deer Press, Tachyon, Edge, Talebones/Fairwood Press, OnSpec, Electric Velocipede, SFC table of members' work, Sunburst awards, used and new booksellers, and other dealers that I don't remember off hand.
The dealers room used to feature books and some jewellery. This is a professional convention of editors, publishers and authors (and some fans as well) and fan paraphernalia is not allowed. The books are still there but the jewellery is not. It seems the WFC board has put a stop to it after so many years because it is a "serious" convention. I let them know that quite a few of us "pros" enjoyed buying our piece of con jewellery over the years and that we missed it. Does serious mean no fun? After all, the jewellery could be juried to fit certain criteria as well.
As often is the case with these cons, I get to few or no panels. I went to one on Friday and then left halfway through to see another. Unfortunately both were clunky, with no real flow and very short to no answers by the pros on the panel.
Saturday, I missed half of one, which had George R.R. Martin, Tad Williams and Steve Erickson talking about killing significant characters in a novel. They may have been more focused in the first half but it wasn't bad for flow and was funny. Tad Williams, one of the special guests and emcee for the World Fantasy awards is a very funny guy.
The other panel I attended was "Why do we write dark fiction?" with Graham Joyce, Nancy Kilpatrick and David Morrell. It was moderated well by Nancy and thought provoking. Very interesting panel that had many of us thinking of their childhoods and surreal experiences.
Because this is long, I'll continue tomorrow with more on WFC.
Showing posts with label Graham Joyce. Show all posts
Showing posts with label Graham Joyce. Show all posts
Monday, November 10, 2008
Friday, July 6, 2007
World Fantasy Convention Part 2
World Fantasy, because it is made up of editors, publishers and authors, tends to have good panels on the professional aspects of writing. Very enlightening from various viewpoints. I can't remember how many tracks there are at once, but it's not as many as the larger fan conventions.
WFC holds about 600 people and maybe three or four tracks at a time. I never tend to make it to too many. When I went to New Orleans, like everyone else, I went to the French Quarter and shopped. In the evenings it was going for dinner or going to the parties to schmooze and get free booze and snacks. So I tend to only get to a couple of panels at most.
When I went to WFC in Montreal, it was at the end of October (as it always is) just after September 11, 2001. I'm sure it was one of the few WFCs that did not cover it's costs. Many publishers and attendees pulled out because of the rampant fear at that time. This made it quite a small convention. Surprisingly Montreal had no snow but it was a bit crisp at night.
Rhea and I arrived about 11 that night and my friend Melanie was already there in jammies. When we got up to the room I said, "I don't know what you guys are going to do but I'm going down to have a drink at the lounge." The three of us went down and I noticed San Francisco bookstore owner Allan Bates (sp?)who I'd met before at a convention.
The lounge closed an hour or so later and he said they were going down to a pub so we joined them. There were about seven of us and it turns out Montreal pubs have a soft closing. We were there till four or five in the morning. And that set the flavour for the whole convention. There wasn't a night I went to bed earlier and I recall on the last night a group of us wandering about and sneaking glasses of booze out of some pub when they closed down.
It was at one party where of course the booze flowed that we were standing around talking and I think I splashed UK writer Graham Joyce, with a bit of wine, accidentally. Then I had water and fellow Canuck writer Brett Savory (it's his fault, really) said I should poor my water on Graham, so I did. It established a friendship for the convention, or at least a camaraderie with the Brit writers. I also met agent Chris Lotts there and still chat with him time to time but book agents are very busy. I met Tina Jens, one of the Twilight Tales founders at one convention too. It's a great benefit meeting similar thinking minds and establishing friendships that span countries.
There have been conventions that have been nothing but calm as well. It can vary a lot. But you always meet new people and I like the smallness of WFC for that intimacy of getting to know people. It was at one WFC autograph signing that I had my arms signed and freaked out Harlan Ellison (See June 3, 2007 entry). If I don't get to one this year, it will be time next year. I believe the last one I was at was in 2004 in Tempe. http://www.lastsfa.org/wfc2007/
WFC holds about 600 people and maybe three or four tracks at a time. I never tend to make it to too many. When I went to New Orleans, like everyone else, I went to the French Quarter and shopped. In the evenings it was going for dinner or going to the parties to schmooze and get free booze and snacks. So I tend to only get to a couple of panels at most.
When I went to WFC in Montreal, it was at the end of October (as it always is) just after September 11, 2001. I'm sure it was one of the few WFCs that did not cover it's costs. Many publishers and attendees pulled out because of the rampant fear at that time. This made it quite a small convention. Surprisingly Montreal had no snow but it was a bit crisp at night.
Rhea and I arrived about 11 that night and my friend Melanie was already there in jammies. When we got up to the room I said, "I don't know what you guys are going to do but I'm going down to have a drink at the lounge." The three of us went down and I noticed San Francisco bookstore owner Allan Bates (sp?)who I'd met before at a convention.
The lounge closed an hour or so later and he said they were going down to a pub so we joined them. There were about seven of us and it turns out Montreal pubs have a soft closing. We were there till four or five in the morning. And that set the flavour for the whole convention. There wasn't a night I went to bed earlier and I recall on the last night a group of us wandering about and sneaking glasses of booze out of some pub when they closed down.
It was at one party where of course the booze flowed that we were standing around talking and I think I splashed UK writer Graham Joyce, with a bit of wine, accidentally. Then I had water and fellow Canuck writer Brett Savory (it's his fault, really) said I should poor my water on Graham, so I did. It established a friendship for the convention, or at least a camaraderie with the Brit writers. I also met agent Chris Lotts there and still chat with him time to time but book agents are very busy. I met Tina Jens, one of the Twilight Tales founders at one convention too. It's a great benefit meeting similar thinking minds and establishing friendships that span countries.
There have been conventions that have been nothing but calm as well. It can vary a lot. But you always meet new people and I like the smallness of WFC for that intimacy of getting to know people. It was at one WFC autograph signing that I had my arms signed and freaked out Harlan Ellison (See June 3, 2007 entry). If I don't get to one this year, it will be time next year. I believe the last one I was at was in 2004 in Tempe. http://www.lastsfa.org/wfc2007/
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