Friday, November 21, 2008

Fashion Camouflage

Throughout humanity's history, we've used clothes for camouflage. I'm not talking about camo gear and leaf markings on your face to hide in the shadows while carrying out some special ops espionage. Although that is the most blatant aspect of camouflage it's not the most prevalent.

Besides the basics of keeping ourselves warm, we started to wear clothing for a host of other reasons. Ritualistically, masks, accessories and robes were donned to imitate a spirit or element or to make oneself pure or sacred in the eyes of the gods. Along the way standards of modesty and morality came in to play. Genitalia are a vulnerable area on most creatures, and for humans many other connotations are attached, such as virility, power, immortality, continuance of family. Religious aspects and beliefs, as well as just hiding something mysterious and scary (a woman's womb has often been related to the underworld) combined to cover the genital areas first.

In African countries, other warm climes, and throughout periods of history, women's breasts were not always considered erogenous, and therefore did not need covering. A period of Elizabethan dress had the decolletage so low that the nipples were visible. But that is more revealing than camouflaging.

Yet, we've used camouflage to enhance our bodies for a long time. Elizabethan men wore pads of horsehair to give the right line to their calves under their hose, as well as padding to form the preferred peascod bellies. And then there were those codpieces to make the genitals look way larger than they were. Women wore corsets to slim their waists, or bustles on the backs of dresses to enhance the womanly shape. Shoes of varying heights have been worn to convey status or make a person taller.

We do the same today. Slimline jeans with no pockets to show off the curves and line of a woman's leg and hip. Padded and uplift bras to make the breasts look larger, men's underwear (and chaps) that may shape and define the genitals or butt, (some of this for gay culture but not all), tuxes or other James Bond jackets for that sophisiticated, I-have-plenty-of-money look.

Makeup, since at least the Egyptians, has also been used for enhancement or to comouflage plainness, blemishes, birthmarks, or whatever reason was required. Wigs and toupees have been worn for many centuries as status symbols, to change one's looks, to make it look like a person had hair. It's not a new thing and most people do look better in clothes because they cover up all sorts of imperfections. Fashion can highlight a person's good points, change the line that the eye follows so that a person looks taller, broader, slimmer, bustier, etc.

Until we hit the day that we have our own heat generating forcefields, have tossed vanity and modesty to the side and do not need possessions or adornment, I think humans will continue to dress in a myriad of fashions, as well as camouflaging what is not seen as the current trend and fashion for bodies and looks. The realm of phsical changes has its own history, but that's for another day. We may yet hit again a look where flat chested, twiggy and adrogynous shapes are considered sexy and then the padded bras and fitted clothing will disappear...for awhile.

Monday, November 10, 2008

World Fantasy Convention 2008: Calgary

World Fantasy took place in Calgary's downtown at the Hyatt Regency Oct. 30-Nov. 1. Although the hotel had an exceptional collection of paintings and heavily focused ungulate statuary everywhere, it was still a very expensive hotel. I haven't been in a hotel in the US in the past five years that charged for internet and $1 for local calls. Internet cost $14 a day, an exorbitant fee, and the hotel price was high even at convention rates. We found Calgary pricey for food but cheap for alcohol, if you were buying it in stores but comparably priced to Vancouver in the hotel.

The con hospitality suites were smaller than I have seen at other cons and the air conditioning (hardly needed in Oct. in Calgary) was on high for most of the convention. The dealers room and art show were also small. From one discussion with a Seattle antiquarian dealer, the hoops and paperwork besides shipping costs are prohibitive and discourage international exchanges. The dealers room did have an interesting array of publishers. Some of them were Redjack, Fitzhenry/Red Deer Press, Tachyon, Edge, Talebones/Fairwood Press, OnSpec, Electric Velocipede, SFC table of members' work, Sunburst awards, used and new booksellers, and other dealers that I don't remember off hand.

The dealers room used to feature books and some jewellery. This is a professional convention of editors, publishers and authors (and some fans as well) and fan paraphernalia is not allowed. The books are still there but the jewellery is not. It seems the WFC board has put a stop to it after so many years because it is a "serious" convention. I let them know that quite a few of us "pros" enjoyed buying our piece of con jewellery over the years and that we missed it. Does serious mean no fun? After all, the jewellery could be juried to fit certain criteria as well.

As often is the case with these cons, I get to few or no panels. I went to one on Friday and then left halfway through to see another. Unfortunately both were clunky, with no real flow and very short to no answers by the pros on the panel.

Saturday, I missed half of one, which had George R.R. Martin, Tad Williams and Steve Erickson talking about killing significant characters in a novel. They may have been more focused in the first half but it wasn't bad for flow and was funny. Tad Williams, one of the special guests and emcee for the World Fantasy awards is a very funny guy.

The other panel I attended was "Why do we write dark fiction?" with Graham Joyce, Nancy Kilpatrick and David Morrell. It was moderated well by Nancy and thought provoking. Very interesting panel that had many of us thinking of their childhoods and surreal experiences.
Because this is long, I'll continue tomorrow with more on WFC.